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The Poetry of William Butler Yeats

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William Butler Yeats (1865-1939) was born in Dublin. His father was a lawyer and a well-known portrait painter. Yeats was educated in London and in Dublin, but he spent his summers in the west of Ireland in the family’s summer house at Connaught. The young Yeats was very much part of the fin de siècle in London; at the same time he was active in societies that attempted an Irish literary revival. His first volume of verse appeared in 1887, but in his earlier period his dramatic production outweighed his poetry both in bulk and in import. Together with Lady Gregory he founded the Irish Theatre, which was to become the Abbey Theatre, and served as its chief playwright until the movement was joined by John Synge. His plays usually treat Irish legends; they also reflect his fascination with mysticism and spiritualism. The CountessCathleen (1892), The Land of Heart’s Desire (1894),The King’s Threshold (1904), and Deirdre (1907) are among the best known.

After 1910, William Butler Yeats and his dramatic art took a sharp turn toward a highly poetical, static, and esoteric style. His later plays were written for small audiences; they experiment with masks, dance, and music, and were profoundly influenced by the Japanese Noh plays. Although a convinced patriot, Yeats deplored the hatred and the bigotry of the Nationalist movement, and his poetry is full of moving protests against it. He was appointed to the Irish Senate in 1922. Yeats is one of the few writers whose greatest works were written after the award of the Nobel Prize. Whereas he received the Prize chiefly for his dramatic works, his significance today rests on his lyric achievement. His poetry, especially the volumes The Wild Swans at Coole (1919),  Michael Robartesand the Dancer (1921), The Tower (1928), The Winding Stair andOther Poems (1933), and Last Poems and Plays (1940), made him one of the outstanding and most influential twentieth-century poets writing in English. His recurrent themes are the contrast of art and life, masks, cyclical theories of life (the symbol of the winding stairs), and the ideal of beauty and ceremony contrasting with the hubbub of modern life.

William Butler Yeats
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Three Poems by William Butler Yeats


The  Everlasting  Voices
by  William Butler Yeats

O sweet everlasting Voices be still; 
Go to the guards of the heavenly fold 
And bid them wander obeying your will 
Flame under flame, till Time be no more; 
Have you not heard that our hearts are old, 
That you call in birds, in wind on the hill, 
In shaken boughs, in tide on the shore? 
O sweet everlasting Voices be still.  

*             *            *

The  Falling  of  the  Leaves

by  William Butler Yeats

Autumn is over the long leaves that love us,

And over the mice in the barley sheaves;
Yellow the leaves of the rowan above us,
And yellow the wet wild-strawberry leaves.

 

The hour of the waning of love has beset us,
And weary and worn are our sad souls now;
Let us part, ere the season of passion forget us,
With a kiss and a tear on thy drooping brow. 

 

*             *            *

A  Deep-Sworn  Vow

by  William Butler Yeats 

 

Others because you did not keep
That deep-sworn vow have been friends of mine;
Yet always when I look death in the face,
When I clamber to the heights of sleep,
Or when I grow excited with wine,
Suddenly I meet your face.



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